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Lot 2    SPANISH SCHOOL: JESUS RESURRECTED
Pen and ink over black chalk on paper, inscribed lower right. With label from H. Shickman Gallery, New York. 11 1/2 x 7 1/2 in. (sight), 19 1/2 x 13 1/4 in. (frame).
Estimate $ 300-500
Sold for $1,600

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Lot 3    ATTRIBUTED TO ADRIAEN VAN OSTADE (1610-1685): STUDY FOR A FESTIVE GATHERING
Pen, bistre and wash on paper, monogrammed lower right. 4 3/4 x 7 1/2 in. (sight), 10 5/8 x 12 7/8 in. (frame). Provenance: Ex collection D.H.H. Felix, Leroy M. Backus; Exhibited Portland Art Museum, 1946; H. Shickman, NY label on verso.
Estimate $ 3,000-5,000
Sold for $2,900

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Lot 4    ATTRIBUTED TO FRANCOIS BOUCHER (1703-1770): VIRGIN AND CHILD WITH ST. JOHN THE BAPTIST
Brush and black ink, and brown, blue and red wash with white heightening. 6 x 4 1/4 in. (sight), 20 x 16 in. (mat).

Note: For a similar composition by Boucher, see A. Ananoff, Francois Boucher, Paris, 1976, vol. II, p. 288, cat. no. 662. Provenance: Swann Galleries, New York, March 2, 2000, lot #45, illustrated; Private Collection, Stowe , Vermont.
Estimate $ 300-500
Sold for $700

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Lot 5    FRANCESCO BARTOLOZZI (1725/27-1815): A BOY LOOKING UP AND TWO WEEPING ANGELS ON A CLOUD, AFTER GUERCINO
Pen and black ink on paper laid down, inscribed on the Richardson mount lower right "no. 31, S.D.L. 82, Capriccio after Guercino". 11 x 17 1/2 in. (sight), 17 x 23 in. (frame). Provenance: Jonathan Richardson, Jr., his mount and shelf mark (Lugt 2984); Charles F. Ramus, Denver, by 1936 (his mark, Lugt undescribed); by descent.
Estimate $ 1,000-2,000
Sold for $550

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Lot 6    ATTRIBUTED TO GUERCINO: SEATED BOY
Ink on paper, laid down on paper, unsigned, collection stamp on mat. 7 5/8 x 5 1/8 in. (sheet), 12 1/4 x 9 1/2 in. (mat).
Estimate $ 300-600
Sold for $1,000

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Lot 7    PHILIBERT D'AMIENS DE RANCHICOURT (1781-1825): STANDING MAN LEANING ON SPADE AND STANDING A MAN
Both black and white chalk, stamped lower left, unframed. Both 23 1/2 x 18 1/4 in. (sheet).
Estimate $ 500-700
Sold for $1,100

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Lot 8    FRANCOIS BONVIN (1817-1887): SEATED MAN LEANING ON A BARREL AND SMOKING A PIPE
Charcoal, signed and dated 1864 lower right. 15 3/4 x 11 3/4 in. (sight), 22 x 17 1/2 in. (frame). Provenance: Laperlier sale, Paris, Hotel Drouot, April 11-13, 1867; Galerie Jonas, Paris; Mme. Martine Thomas, Paris. Exhibitions: Paris, Pittsburgh and New York, Galerie Berès, The Frick Art and Historical Center, and W.M. Brady & Co., "Francois Bonvin: The Master of the 'Realist School', 1817-1887", Nov. 1998 to June 1999, cat. no. 59. Literature: G. Weisberg, Bonvin, Paris, 1979, p.280, cat. no. 280, illustrated.
Estimate $ 5,000-7,000
Sold for $9,500

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Lot 9    ATTRIBUTED TO CONSTANTIN GUYS (1802-1892): TWO GENTLEMEN AND A LADY
Ink and wash on paper, unsigned. Label from H. Shickman Gallery, New York. 6 1/4 x 4 3/4 in. (sight), 20 1/2 x 14 in. (frame).
Estimate $ 800-1,200
Sold for $350

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Lot 10    FELIX-JOSEPH BARRIAS (1822-1907): HEAD OF DANTE
Black and red chalk, signed lower right, F. Barrias. 6 3/4 x 7 1/2 in. (sight), 14 x 14 1/2 in. (frame).
Estimate $ 800-1,200
Sold for $450

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Lot 11    PIERRE-ALEXANDRE WILLE (1748-1821): BUST-LENGTH PORTRAIT OF A MAN
Pen and brown ink, signed and dated lower middle right P.A. Wille filius / de 1781. 7 11/16 x 6 1/2 in. (sight), 11 3/4 x 10 in. (frame).
Estimate $ 600-800
Sold for $300

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Lot 12    PAUL BOREL (1828-1913): HALF-LENGTH STUDY OF A MAN, SEEN FROM BEHIND
Black chalk, stamped with the artist's studio mark lower right Paul Borel. 6 1/2 x 9 1/4 in. (sight), 14 1/4 x 18 in. (frame).
Estimate $ 400-600
Sold for $275

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Lot 13    FRENCH SCHOOL: QUIVER, ARROWS AND BOW
Red chalk on paper, unsigned. 15 5/8 x 9 3/4 in. (sight), 25 1/4 x 19 3/8 in. (frame). Provenance: Jill Newhouse Gallery, New York.
Estate of Katherine W. Mellon, Stonington, CT.
Estimate $ 800-1,200
Sold for $2,200

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Lot 14    G.P. HARRIS: MARCH OF THE FRENCH REPUBLIC ARMY
Three watercolors on paper, signed and dated 1797. Largest 7 1/2 x 62 1/2 in. (sight), 14 1/4 x 69 1/4 in. (frame). Provenance: Florian Papp, New York.
Property from a Private New York Collector.
Estimate $ 3,000-6,000
Sold for $1,900

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Lot 15    BARTOLOMMEO PINELLI (1781-1835): A COUPLE OF ITALIAN BRIGANDS RESTING
Watercolor over pencil, signed and dated lower left Pinelle fec. 1829 Roma. 8 1/4 x 9 7/8 in. (sight), 15 1/2 x 16 1/2 in. (frame). Provenance: Neal Fiertag, Paris, 1984.
Estimate $ 1,000-2,000
Sold for $550

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Lot 16    JEAN-BAPTISTE CARPEAUX (1827-1875): TRANSPORT OF THE WOUNDED
Black chalk, squared for transfer, signed with monogram lower right. 16 1/4 x 24 in. (sight). 16 1/4 x 24 in. (sight). Provenance: The artist's studio, (sale Paris, December 14, 1906, lot 20 [Transport des blessés])
Estimate $ 600-800
Sold for $850

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Lot 17    LEON COGNIET (1794-1880): ITALIAN SHEPHERD
Pencil with brown wash, signed with the artist's monogram and inscribed, lower left, LC Rome. Together with another, Mother & Child, pen and dark brown ink, signed with the artist's monogram and dedicated, lower right, a son ami Blondel, LC, and inscribed par L. Cogniet and dated Mai 1854. 7 1/2 x 6 1/4 in. and 8 3/4 x 7 1/4 in., 14 1/2 x 13 1/4 in. (frame) and 15 1/4 x 13 3/4 in. (frame).
Estimate $ 400-600
Sold for $850

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Lot 18    FRENCH SCHOOL: FIGURE KNEELING IN PRAYER
Red chalk, signed lower right. 6 3/4 x 7 1/2 in. (sight), 14 1/4 x 16 1/4 in. (frame). Provenance: Frederick J. Cummings, Detroit.
Estimate $ 1,000-1,500
Sold for $1,100

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Lot 19    GIACOMO CAVEDONE (1577-1660): HEAD OF A WOMAN
Pen and ink heightened with white on colored paper, inscribed on the old mount Cavedone. 8 x 9 in. (sheet), 12 3/4 x 16 in. (frame). Provenance: Frederick J. Cummings, Detroit.
Estimate $ 600-800
Sold for $750

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Lot 20    MARY BUTLER (1865-1946): SEATED WOMAN IN BLUE SKIRT
Watercolor on paper, signed and dated '04 lower right. 19 x 15 in. (sight), 27 x 22 1/2 in. (frame).
Property from a Connecticut Collector.
Estimate $ 800-1,200
Sold for $950

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Lot 21    EDWARD RADFORD (1831-1920): ASLEEP IN A CHAIR
Watercolor on paper, signed and dated lower left. With label from Christopher Wood, London. 10 1/2 x 12 1/2 in. (sight), 20 1/2 x 22 in. (frame).
Estate of Katherine W. Mellon, Stonington, CT.
Estimate $ 1,000-1,500
Sold for $1,700

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Lot 22    JOHN S. GOODALL (1908-1996): TIM & LUCY
Watercolor and bodycolor on paper, signed lower left. 6 1/8 x 4 11/16 in. (sight, sheet), 15 1/2 x 13 1/2 in. (frame).
Estate of Katherine W. Mellon, Stonington, CT.
Estimate $ 800-1,200
Sold for $325

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Lot 23    JOHN S. GOODALL (1908-1996): THE BIG SISTER
Watercolor and bodycolor on paper, signed lower left. 6 3/16 x 4 7/8 in. (sight, sheet), 15 1/2 x 13 1/4 in. (frame).
Estate of Katherine W. Mellon, Stonington, CT.
Estimate $ 800-1,200
Sold for $375

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Lot 24    JOHN S. GOODALL (1908-1996): THE COURTESAN
Watercolor on paper, signed lower left. 9 3/8 x 12 1/2 in. (sight, sheet), 18 1/4 x 20 7/8 in. (frame).
Estate of Katherine W. Mellon, Stonington, CT.
Estimate $ 1,000-1,500
Sold for $600

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Lot 25    GEORGE HAYTER (1792-1871): STUDY OF THE DUCHESS OF BEDFORD'S HAND
Chalk on buff-toned paper, inscribed and initialed lower right. With label from Christopher Wood, London. 7 x 9 in. (sight), 13 1/4 x 15 in. (frame).
Estate of Katherine W. Mellon, Stonington, CT.
Estimate $ 500-700
Sold for $225

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Lot 26    GEORGE LAWRENCE BULLEID (1858-1933): STUDY OF A YOUNG GIRL IN STRAW HAT
Watercolor, signed upper left. With label from Christopher Wood, London. 7 1/2 x 6 1/2 in. (sight), 17 x 15 1/2 in. (frame).
Estate of Katherine W. Mellon, Stonington, CT.
Estimate $ 1,000-1,500
Sold for $2,100

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